Earth Series

In this series I present a set of works that represent the four elements, species, men, feelings and universe.... Read more

But what is more important is the effect through matter, the sensation cloth / skin. The sgraffito, as texture, turns the matter of the work into torn skin, externality, intentional abrasion between consciousness and experience, between the body and things, between desire and illusion. Rough matter, cracked skin as a hatched memory, from infinitesimal and illegible facts of the human transcendence, pure and unmasked. From the warp of this matter alternative universes emerge, labyrinths, incorporeal atmospheres, as if the pictorial matter would dictate slightly hinted arguments, figurative elements that are nothing more than the sensible presence in a timeless space. The painting is used in successive extended layers, to later be adjusted in thickness and chromaticism, accomplishing successive tangible volumes.